meshelltran:

lovin’ my new watch 😊 #armcandy #watch #uo

meshelltran:

lovin’ my new watch 😊 #armcandy #watch #uo

taylorwinchester13:

Her dress…

taylorwinchester13:

Her dress…

I’m never gonna wait
that extra twenty minutes
to text you back,
and I’m never gonna play
hard to get
when I know your life
has been hard enough already.
When we all know everyone’s life
has been hard enough already
it’s hard to watch
the game we make of love,
like everyone’s playing checkers
with their scars,
saying checkmate
whenever they get out
without a broken heart.
Just to be clear
I don’t want to get out
without a broken heart.
I intend to leave this life
so shattered
there’s gonna have to be
a thousand separate heavens
for all of my flying parts.

Andrea Gibson (via cathedrals-in-myheart)
byebigirlfriend:

Look to a new day

byebigirlfriend:

Look to a new day

It is a ridiculous conceit to think that this enormous world has been exhausted of interest. There are still scarcely visited places and there are exhilarating ways of reaching them… It is every traveler’s wish to see his route as pure, unique, and impossible for anyone else to recover… The going is still good.

Paul Theroux

(Source: dessalicious)

(Source: ultimatemodels)

Go after her. Fuck, don’t sit there and wait for her to call, go after her because that’s what you should do if you love someone, don’t wait for them to give you a sign cause it might never come, don’t let people happen to you, don’t let me happen to you, or her, she’s not a fucking television show or tornado. There are people I might have loved had they gotten on the airplane or run down the street after me or called me up drunk at four in the morning because they need to tell me right now and because they cannot regret this and I always thought I’d be the only one doing crazy things for people who would never give enough of a fuck to do it back or to act like idiots or be entirely vulnerable and honest and making someone fall in love with you is easy and flying 3000 miles on four days notice because you can’t just sit there and do nothing and breathe into telephones is not everyone’s idea of love but it is the way I can recognize it because that is what I do. Go scream it and be with her in meaningful ways because that is beautiful and that is generous and that is what loving someone is, that is raw and that is unguarded, and that is all that is worth anything, really.

museumuesum:

Sharon Hayes
I march in the parade of liberty, but as long as I love you I’m not free, 2007
poster for performance
For eight days between December 1, 2007 and January 12, 2008, Hayes walked from The New Museum at Bowery and Prince Sts in lower Manhattan to a different site of public address, stopping at street corners every few blocks and speaking a single, repeated love address to an anonymous and unnamed lover. Drawing from sources such as De Profundis, Oscar Wilde’s letter to Lord Alfred Douglas, and slogans from early gay Liberation parades in New York City, the “love address” uses so–called private speech to get to the emotional imbrication of promise and disappointment in collective political action.
Part of a series of works dealing with the relationship between personal and political desire and between love and politics, I March In The Parade Of Liberty, But As Long As I Love You I’m Not Free, raises questions about war, the emotional landscape of protest actions and public speech.

museumuesum:

Sharon Hayes

I march in the parade of liberty, but as long as I love you I’m not free, 2007

poster for performance

For eight days between December 1, 2007 and January 12, 2008, Hayes walked from The New Museum at Bowery and Prince Sts in lower Manhattan to a different site of public address, stopping at street corners every few blocks and speaking a single, repeated love address to an anonymous and unnamed lover. Drawing from sources such as De Profundis, Oscar Wilde’s letter to Lord Alfred Douglas, and slogans from early gay Liberation parades in New York City, the ā€œlove addressā€ uses so–called private speech to get to the emotional imbrication of promise and disappointment in collective political action.

Part of a series of works dealing with the relationship between personal and political desire and between love and politics, I March In The Parade Of Liberty, But As Long As I Love You I’m Not Free, raises questions about war, the emotional landscape of protest actions and public speech.